Archives for posts with tag: Bouroullec

Layout takes precedence over fancy finishes at the new Bouroullec designed open kitchen spectacular Dos Palillos in Berlin. In what has to be the high water mark in gastronomic voyeurism (or should that be narcissism?), the massive street exposure means it won’t be just the kitchen crew enjoying all the attention. Food for thought too about the way the whole celebrity chef/cult restaurant phenomenon (ex-elBulli star Albert Raurich heads up the kitchen) is changing the way we dine in public.

via designboom

In tune with the global zeitgeist perhaps, French designers Ronan and Erwan Bouroullec walk the red line between seduction and austerity in their design for the new Camper store (opposite Centre Pompidou) in Paris.

Kvadrat’s new Copenhagen showroom has to be the ideal place to show their easy-to-love-but-a-little harder-to-know-what-to-do-with textile tile concept Clouds, designed by Erwan and Ronan Bouroullec.   But while the French duo were responsible for the interior design of the space, including the most of the furniture the project is far from a covert exercise in self-promotion for brand Bouroullec.  For the Copenhagen flagship store the designers have adopted a very context-sensitive approach, using a classic Scandinavian palette for all the built elements and even referencing the company’s new port side address in the hip gallery precinct of Frihavnen in the design of the open plan meeting zone. 

via designboom

Four long years in the making, Vegetal designed by Ronan and Erwan Bouroullec and produced by Vitra is a chair with a very long tail… In fact, as the story goes, one that leads all the way back to the gardens of the 19th century, to a time when young plants were painstakingly trained to grow in the form of chairs…  But this just released work by the French duo is much more ode than parody.  With Vegetal it was important for the Bouroullecs and Vitra to create not just an evocative visual rendition of a chair inspired by plants but also to replicate their natural growth patterns within the very process of mass manufacture.  (Suddenly the four year time line starts to feel reasonable.)  

No doubt destined to be a Vitra centre piece in Milan in April, the intrinsic goodness of Vegetal, I think, makes it a very suitable new chair for such troubled times as ours…