Archives for category: vintage

If charity retail and the pinnacle of Paris chic sound like unlikely bedfellows think again. Merci, the newly opened exquisitely styled ‘mixed bag’ boutique by the founders of children’s couture brand Bonpoint, is what can happen (in the French capital at least) when cashed up creatives and their A-list clique of design stars and intellectuals, develop a social conscience.  And the results are stunning.

Already being talked about as a new direction in retailing (for luxury brands especially), the really intoxicating thing about Merci is how its creators have so cleverly and elegantly reinvented the often awkward idea of the charity store, turning it into what Trendwatching might call the most desirable ‘status story’ in town.  Simply by insisting on the best. For everyone.

 



The ultimate Italian property fantasy for many of us pretty well begins and ends here: a recycled medieval oasis, complete with secret garden, Roman wall, and just a stone’s throw from the borderline pandemonium of Stazione Termini and Santa Maria Maggiore…  These days more dream than temptation perhaps?  

Still we can all take heart.  The house – product of the unlikely union of a disused bakery and former dairy – is not on the market.  Instead its odd, beautiful rooms are home to the (much envied) Milan-born collector, and PR consultant to the architectural profession, Paola Maugini.  

Like the Arezzo villa I posted a liitle while back, this much design and art and regalia of family life packed into one apartment really shouldn’t work this well.  But then, this is the Cologne apartment of Belgian art director and artist, Mike Meire a consummate collector not afraid to mingle the personal and the public. (Meire’s collection includes the work of ‘names’ like Damien Hirst amongst others).  All up, more exquisitely curated proof that sometimes more really is more beautiful.

Reissues of the design classics from the last half century or so are thicker on the ground than usual at the moment, with manufacturers apparently only too happy to indulge the popular taste for all things vintage. A safe bet in uncertain economic times? Maybe. But hey, anything that gives oxygen to the notion that design can, and should, get better with age is surely nothing to complain about.

Two of my personal fancies are lights: 1. the ingenious Cobra lamp by Elio Martinelli – a mere 300 have been re-issued by Martinelli Luce this year in celebration of its fortieth year.  And 2. the 70′s pendant Cynthia by Mario Marenco for Artemide.  As Italian daily Corriere della Sera notes, a lamp capable of recreating the atmosphere of its times.